Download Hello Molydia Fonts Family From Mega Type

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Hello Molydia is a sweet modern calligraphy font. This font is casual and elegant with swashes. Hello Molydia can be used for various purposes such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and more.


Hello Molydia Script features OpenType stylistic alternates, and ligatures. International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

How to access all alternative characters using Adobe Illustrator:

https://www.youtube.com/watch?v=XzwjMkbB-wQ


Hello Molydia Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.

How to access all alternative characters, using Windows Character Map with Photoshop:

https://www.youtube.com/watch?v=Go9vacoYmBw


If you need help or have any questions, please let me know. I'm happy to help.

Thanks and Happy Designing!


Download Hello Molydia Fonts Family From Mega Type
Download Hello Molydia Fonts Family From Mega Type



Download Hello Molydia Fonts Family From Mega Type


Download Sapha script Fonts Family From Tegaki


Presenting Sapha script, with stylish and modern handwritten characters. This font was PUA encoded. Sapha is a modern handwritten style that comes with Extended Latin Characters. Sapha works perfectly for logos, display, product branding, wedding invitation card, stationary, packaging, clothing, flyer, apparel, magazines, brochures, labels, posters, badges, etc. Sapha comes with 304 glyphs and 78 alternate characters contain with opentype features (supported with contextual alternates mode) and 15 extended ligatures that allow you to make design looks more exclusive and pro standard. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign and CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For other programs that doesn't support OpenType features or Glyphs Panel such as Photoshop, you can use Character Map in Windows to access the alternate characters. If you need help or advice, please contact me by e-mail "tegakiscript@gmail.com" Thank you for your purchase!



Download Sapha script Fonts Family From Tegaki


Download Emirose Fonts Family From Ergibi Studio


Emirose consists of 4 weights: Thin, Light, Regular and Bold, all equipped with many ligatures and alternative letters that look cute and classy. They work very well for your work such as logos, brands, packaging, posters, invitations, headlines, posters, and more.



Download Emirose Fonts Family From Ergibi Studio


Download DeDisplay Fonts Family From Ingo

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A type designed in a grid, like on display panels


Type is not only printed. There were always and still are a number of forms of type versions which function completely differently. Even very early in the history of script there were attempts to combine a few single elements into the diverse forms of individual characters and also efforts to construct the forms of letters within a geometric grid system. The “instructions” of Albrecht Dürer are probably most well-known.


But although designers of past centuries assumed the ideal to basically be an artist’s handwritten script, the idea which developed in the course of mechanization was to “build” characters in a building block system only by stringing together one basic element — the so-called grid type was discovered, represented most commonly today by »pixel types.« But even before computers, there were display systems which presented types with the help of a mechanical grid display, like the display panels in public transportation (bus, train) or at airports and train stations.


In a streetcar, I met up with a modern variation of this display which reveals the name of each tram stop as it is approached. This system was based on a customary coarse square grid, but the individual squares were also divided again diagonally in four triangles.


In this way it is possible to display slants and to simulate round forms more accurately as with only squares. The displayed characters still aren’t comparable to a decent typeface — on the contrary, the lower case letters are surprisingly ugly — but they form a much more legible type than that of ordinary [quadrate] grid types.


DeDisplay from ingoFonts is this kind of type, constructed from tiny triangles which are in turn grouped in small squares. The stem widths are formed by two squares; the height of upper case characters is 10, the x-height 7 squares.


DeDisplay is available in three versions: DeDisplay 1 is the complex original with spaces between the triangles, DeDisplay 2 forgoes dividing the triangles and thus appears somewhat darker or “bold,” and DeDisplay 3 is to some extent the “black” and doesn’t even include spaces between the individual squares.


Download DeDisplay Fonts Family From Ingo
Download DeDisplay Fonts Family From Ingo



Download DeDisplay Fonts Family From Ingo


Download Stana Fonts Family From Wirtu
Download Stana Fonts Family From Wirtu Download Stana Fonts Family From WirtuDownload Stana Fonts Family From Wirtu



Stana is clean and tall display font. There are more than 150 glyphs included.




Download Stana Fonts Family From WirtuDownload NowView Gallery


Download Banknote 1948 Fonts Family From Ingo

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A very expanded sans serif font in capital letters inspired by the inscription on a bank note


Old bank notes tend to have a very typical typography. Usually they carry decorative and elaborately designed markings. For one thing, they must be practically impossible to forge and for another, they should make a respectable and legitimate impression. And in the days of copper and steel engravings, that meant nothing less than creating ornate, shaded or otherwise complicated scripts. Designing the appropriate script was literally in the hands of the engraver.

That’s why I noticed this bank note from 1948. It is the first 20 mark bill in the then newly created currency ”Deutsche Mark.“ All other bank notes of the 1948 series show daintier forms of typography with an obvious tendency toward modern face. The 1949 series which followed shortly thereafter reveals the more complicated script as well. For whatever reason, only this 20 mark bill displays this extremely expanded sans serif variation of the otherwise Roman form applied. This peculiarity led me in the year 2010 to create a complete font from the single word ”Banknote.“

Back to those days in the 40’s, the initial edition of DM bank notes was carried out by a special US-American printer who was under pressure of completing on time and whose engravers not only engraved but also designed. So that’s why the bank notes resemble dollars and don’t even look like European currency. That also explains some of the uniquely designed characters when looked at in detail. Especially the almost serif type form on the letters C, G, S and Z, but also L and T owe their look to the ”American touch.“


The ingoFont Banknote 1948 comprises all characters of the Latin typeface according to ISO 8859 for all European languages including Turkish and Baltic languages.


In order to maintain the character of the original, the ”creation“ of lower case letters was waived. This factor doesn’t contribute to legibility, but this kind of type is not intended for long texts anyway; rather, it unfolds its entire attraction when used as a display font, for example on posters.

Banknote 1948 is also very suitable for distortion and other alien techniques, without too much harm being done to the characteristic forms.


With Banknote 1948 ingoFonts discloses a font like scripts which were used in advertising of the 1940’s and 50’s and were popular around the world. But even today the use of this kind of font can be expedient, especially considering how Banknote 1948, for its time of origin, impresses with amazingly modern detail.


Download Banknote 1948 Fonts Family From Ingo
Download Banknote 1948 Fonts Family From Ingo



Download Banknote 1948 Fonts Family From Ingo


Download Nouveau Spurred  JNL Fonts Family From Jeff Levine


The hand lettered title on the 1915 sheet music for “On the Banks of the Amazon” was the design model for Nouveau Spurred JNL, which is available in both regular and oblique versions. This gently spurred Art Nouveau Roman is a beautiful choice for headlines, book titles and other retro-influenced projects.


Download Nouveau Spurred JNL Fonts Family From Jeff Levine


Download Harri Fonts Family From Blancoletters
Download Harri Fonts Family From Blancoletters Download Harri Fonts Family From BlancolettersDownload Harri Fonts Family From Blancoletters



Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country (Behe Nafarroa, Lapurdi and Zuberoa).Harri takes some of its more significant features from those engraved letter forms, but also from the current overemphasized shapes derived from them, while keeping in sight their antecessors: the Romanesque inscriptions and ultimately the Roman Capitals. Gerard Unger once said “the black version of a font is a caricature of the regular”. This may explain how the odd heavy shapes in use in the Basque Country today might have evolved from their engraved roots, which are already an interpretation of Romanesque and Roman letter forms.


This evolution is echoed in Harri through its weights, from the clean formal Roman-inspired light to the extreme expressive Basque-style extra bold.



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Download Frizzy Fonts Family From Gleb Guralnyk

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Frizzy is a classic look vintage style font with a big set of additional characters. Lowercase letters have 4 stylistic sets with different shapes. Uppercase letter has two additional glyphs with upper and lower swashes. All those features can be found in the OpenType panel. Five extra swashes are available in the glyphs panel. When combining all of this features, you can create an interesting and unique lettering compositions.


Thank you and have a nice day!



Download Frizzy Fonts Family From Gleb Guralnyk
Download Frizzy Fonts Family From Gleb Guralnyk



Download Frizzy Fonts Family From Gleb Guralnyk