Ammar Long: Contemporary

Showing posts with label Contemporary. Show all posts

Telka Font Family was designed by Yang Lu, and published by BumbumType. Telka contains 36 styles and family package options.

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About Telka Font Family Ideas are diverse and modern applications are complex. Telka is the typeface to answer this contemporary needs, following our studios approach in creating multi-dimensional tools. Characteristic for this typeface is the character-width variation. From the standard, neutral width collection to the wide collection, with its quirky details and strong personality.Telka is in our shop as variable font available.

Telka

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Realgar is a generic and neutral typeface but with enough personality to be different, but not as much to be unfamiliar. The name refers to an ancient natural pigment, known for its vivid orange colour. It is a multipurpose typeface in an eclectic style that combines geometric and grotesque with some humanist touches. Some of its main features are the wide proportions, closed apertures and idiosyncratic numbers that make Realgar stand out. In addition, the rounded dots convey a friendly and contemporary look. A Variable Font version is included with the family or as a separate style.

Realgar

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Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text.

Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

Maine

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My eldest son Sam always wanted to visit Japan and he has been saving up for a ticket for years now. We should have traveled there this year, but due to the pandemic, that was impossible. We’re now trying to go next year.

Sam and I did make some kind of itinerary and I told him how we were going to get around, as I have been to Japan many times. I told him about the Shinkansen trains, the cute Tram in Nagasaki and the immense subway system in Tokyo. One of the lines in Tokyo is the so-called Yamanote Circle Line, which I have used on numerous occasions.

A new font name was born and it stuck to this particular font!

Subway Circle is a 100% handmade font. It is rounded, slightly slanted and comes with a sunny disposition. I am sure that, when you use it, you will find your 生きがい… ;-)

Subway Circle

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Marithin is a New Modern Display Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Marithin have a smooth edges, so this font gives an authentic handcrafted feel style.

Marithin

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Bougainville Neo is a complete remake of our popular Bougainville series which first appeared at MyFonts in 2005. Neo is now in 4 additional weights plus italics. The original typeface family was named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey. Bougainville Neo makes for effective headings at any size and is equally readable at semi-display sizes.

Bougainville Neo

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Mood Boosters Handwritten Font Duo is a perfectly font duo for all your design project needs.

Create your perfect design with Mood Boosters Handwritten Font Duo.

Try this font for all kinds of your business projects like: logo design, business card, mood board, greeting card, magazine ,headline, social media design, watermark and more, and it will all look perfect.

Mood Boosters

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This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?

Saturday Light

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A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts.

It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be!

Ideal for magazine, posters, headlines and pull quotes.

Bill Poster

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Indigo Antiqua 2 is an old-style humanist serif typeface primarily based on personal studies of a typeface by Francesco Griffo (1450–1518) Italian punchcutter. But it is not a revival of the so called original Bembo (1496) or any other typeface.

My Inspirations are of various kinds, but some outstanding old typeface masters like Guillaume le Bé, Miklós Kis, Peter de Walpergen and Christoffel van Dijck are important.

Indigo Antiqua 2 is most commonly used for body text were legibility / readability matters – and is a reliable multi-purpose typeface. It has been applied for thousands of book titles and between the book covers made reading comfortable.

By using Indigo Antiqua 2 with OpenType features You can reach additional ligatures, various figure sets, small caps, stylistic options and a lot of other typographical choices.

Multi-Lingual support: Central European languages and many others. | See www.fontanova.se

Indigo Antiqua 2

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COMBA is a quirky all caps display font that is perfect for display type and contemporary branding. It has just enough eye-catching letters to pull the reader in and make them smile. COMBA also comes with 5 logo templates and a color palette.

Comba

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Helonik Extended is a modern sans serif with a geometric touch that support for 87 languages. It comes in 11 weights, 22 uprights and its matching obliques, outlines, so you can use them to your heart’s content, in each of which there are more than 797+ glyphs.

Helonik Extended comprises 22 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helonik and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more.

Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface.

Support for 87 languages.

Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Helonik Extended

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SK Pangramma is a modern universal geometric typeface. For greater universality, it was developed in two stylistic variations: sans serif and slab serif. The uniqueness of the typeface is supported by stylistic alternatives that give the character set the spirit of modern typeface design. The SK Pangramma typeface is named this way because it supports more than 200 languages, including the Extended Latin Alphabet, Cyrillic, and even Greek. Thanks to a wide range of characters, alternatives, and two stylistic variations, the typeface is great for design projects of any complexity, no matter whether it is printed products or web design.

SK Pangramma

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Mumford began as a revival of the early designs for sans serif fonts of the late 19th and early 20th centuries, but along the way it morphed into a reinterpretation of this style and it adaptation to more contemporary shapes.

It's strong contrast, signature of the design, works along it 9 weight variables each with their corresponding oblique. Each variable includes extended language support (+ Cyrillic), fractions, tabular figures, ligatures and opentype features.

Mumford was design with strong graphic display design in mind, perfectly suited for poster, magazine headers, titles and editorial design.

Mumford

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Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderano, and Accia Forte.

Accia Moderato

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Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.

Accia Moderato

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Gladies is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Gladies have a smooth edges, so this font gives an authentic handcrafted feel style.

Gladies is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Gladies

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A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.

Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “Plethora”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries later. Available in 9 weights, from roman to italic, and also as variable format, “Plethora” supports plenty of latin languages and is a perfect choice for today’s design tides.

Plethora

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Halfway There… We love to go camping as a family and we usually go to France (because France is only a 5 hour drive from where we live, it is usually sunny and they have the best bread in the world - enough said!). Somewhere around Lille, or Luxembourg City (depending on our destination in France), the kids always ask: ‘are we almost there?’ and my answer is always: ‘we’re halfway there!’.

Halfway There

Download Acris Fonts Family From Andrey Sharonov

Download Acris Fonts Family From Andrey Sharonov

Acris Serif is the rich and gracefull font designed in two weights for expressive and luxury projects.

If it's had gender, it would be a woman — beautiful but with character like rose with thorns.

Acris Serif is very good looking in Big Tittles, Magazine design, Branding, Logotypes, Posters, Wedding invitations, romantic cards and others.

This typeface comes with special features like Stylistic Alternates and Discretionary Ligatures.

The easiest way you can get Alternates is to add for example number 2, 3 or 4 after character. For this option be sure that bottom named Standard Ligatures is activated in Opentype panel.

Multilingual Support

Acris support Western European characters and works with following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.

Download Acris Fonts Family From Andrey SharonovDownload NowView Gallery

Ammar Long

Download Acris Fonts Family From Andrey Sharonov

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